Sat Feb 9, 12:00 AM - Sat Feb 9, 4:00 AM
Rickshaw Stop
155 Fell Street, San Francisco, CA
Community: Oakland
Description
HALF*ALIVE SF debut @ Popscene! support TBA + DJ AARON AXELSEN 18+/9pm doors MORE ON HALF*ALIVE still feel.' was never supposed to be a 70s-inspired, electro-halftime-chorus jam complete with a highly-choreographed music video. Nay, the track had very humble beginnings
Event Details
HALF*ALIVE SF debut @ Popscene!
support TBA + DJ AARON AXELSEN
18+/9pm doors
MORE ON HALF*ALIVE
still feel.' was never supposed to be a 70s-inspired, electro-halftime-chorus jam complete with a highly-choreographed music video. Nay, the track had very humble beginnings; born from a 50 song project three years ago i had challenged myself to in hopes of improving my skill as a songwriter. Brett and I had back to back studio time around then so we ended up just combining our times and writing many of those 50 songs together; J Tyler would end up joining the posse later and contributing instrumentally to those songs which became the foundation of half•alive. 'still feel.' was song #11 on that 50 song list, although back then it had a different title and belonged to a different genre entirely. The song sat comfortably in an 8×11.5 back leather inch notebook for quite some time before it was ready to see the world. Now look at it; in its prime, and shakin' its booty like its 1979.
support TBA + DJ AARON AXELSEN
18+/9pm doors
MORE ON HALF*ALIVE
still feel.' was never supposed to be a 70s-inspired, electro-halftime-chorus jam complete with a highly-choreographed music video. Nay, the track had very humble beginnings; born from a 50 song project three years ago i had challenged myself to in hopes of improving my skill as a songwriter. Brett and I had back to back studio time around then so we ended up just combining our times and writing many of those 50 songs together; J Tyler would end up joining the posse later and contributing instrumentally to those songs which became the foundation of half•alive. 'still feel.' was song #11 on that 50 song list, although back then it had a different title and belonged to a different genre entirely. The song sat comfortably in an 8×11.5 back leather inch notebook for quite some time before it was ready to see the world. Now look at it; in its prime, and shakin' its booty like its 1979.
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